American Art Here
March 21, 2017
As often as art conservators do a standard treatment on a work of art in our collection, there is always an opportunity to learn a new approach to solving a challenging task. In the case of Gene Davis: Hot Beat (closing April 2, 2017), paintings conservator Amber Kerr coordinated with staff members from our design and registrar teams to manage the conservation treatments for several extremely large canvas paintings. Each had been rolled in storage for years.
March 15, 2017
Over the course of half a century, Noguchi and Graham closely collaborated on numerous set designs for her groundbreaking modern dances. They held each other in the highest regard—Noguchi once said, "I felt that I was an extension of Martha and that she was an extension of me," while Graham described sharing "an unspoken language" with the sculptor.
March 3, 2017
If you have visited SAAM's folk and self-taught art galleries since they re-opened in October, you probably encountered Emery Blagdon's wondrous Healing Machine, an installation of individual paintings and found-material sculptures suspended from the ceiling. While many museum visitors are moved by The Healing Machine, Blagdon's work found a new life this winter in an elementary school about two miles from the SAAM.
March 1, 2017
It all began with a challenge, exactly one year ago. The National Museum of Women in the Arts posed a question and the goal was simple: get people talking about women artists.
February 14, 2017
At SAAM, we're always connecting people with our artworks. On Valentine's Day, we thought we'd explore one of the more interesting sections of many print and online publications these days: the often poetic, always interesting urban haiku of missed connections. Please check out our Instagram feed for more artful missed connections.