Conservation at American Art
December 18, 2014
Allison Rabent is a pre-program volunteer at the Lunder Conservation Center. She is working with conservators on a variety of activities. Allison, along with the project's lead, Conservation Technician Susan Edwards, recently investigated an ongoing treatment of Hiram Powers' Greek Slave and shares their findings with us below. American Art's sculpture curator, Karen Lemmey, contributed to this post.
November 14, 2014
Eric Fischl's Tumbling Woman II is a poignant and provocative sculpture that is on view in American Art's Lincoln Gallery. In addition to the artwork's historical underpinning and evocative pose, it maintains a distinctive materiality that causes a visitor to pause and engage with its subject.
October 31, 2014
Today, we celebrate, along with colleagues at the National Museum of American History, the rededication of Gwenfritz, a 40-foot tall abstract sculpture by the esteemed American artist Alexander Calder. The artwork was recently conserved and relocated to the site originally selected by the artist. American History intern Auni Gelles shares five behind-the-scenes pieces of information about on the sculpture's recent restoration.
September 18, 2014
Our art conservators discovered a drawing on the back of a William H. Johnson artwork during the conservation process.
September 9, 2014
The polished machinery featured in Marvin Beerbohm's "Automotive Industry" mural will be shimmering a little brighter now that the mural has been treated by the American Art Museum's conservation department. The mural, which was previously located in Detroit's Public Library, was recently installed in the museum's first floor.