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American Art Here

Carl Van Vechten: Harlem Heroes

August 25, 2016

When author and social commentator Carl Van Vechten focused his camera on the African American community of writers, artists, singers, athletes, and politicians in Harlem beginning in the 1930s, it was an eye-opening experience.


Luce Artist Talk with Jackie Hoysted

August 23, 2016

Each month, the Luce Foundation Center partners with neighboring Flashpoint Gallery to bring local artists to speak about their own work and the inspiration they take from SAAM's collection. We'll round out our summer talk series on Saturday, August 27 with Jackie Hoysted, multimedia artist and visual arts curator at Solas Nua, a DC-based arts organization dedicated to contemporary Irish arts. The Artist Talks series is presented in collaboration with CulturalDC.


Bearing Witness: Martin Puryear's Monumental Public Art

August 17, 2016

SAAM's Curator of Sculpture, Karen Lemmey, recently joined forces with the GSA Art in Architecture Program's fine arts specialist Bill Caine to lead a "walk and talk" discussion about the importance of public art. Since 1972, the Art in Architecture program has reserved a small piece of the construction budget for new federal buildings around the country for public works of art. In nearly forty-five years, the program has commissioned five-hundred artworks, including Martin Puryear's Bearing Witness, the focus of this hour-plus program.


Art Museum Tours For Visitors Who Are Blind

August 9, 2016

The best in-person encounters with artwork can engage us with compelling stories, challenge us with thought-provoking ideas, and inspire creativity. By looking deeply, visitors connect with art through what they see. But how does someone who is blind experience art in a museum? At SAAM, a team of volunteer docents have been specially trained to bring artwork to life for visitors who are blind.


Luce Center: Harold Weston's Building the United Nations Series

August 5, 2016

Harold Weston once told Magazine of Art, "theories and explanations about paintings are... usually unsatisfactory." However, as an artist, I find artists' experiences inform and enrich the artworks they create. The time and place in which a work of art comes to be influences what it is and what it means. An explanation of why Weston decided to paint his Building the United Nations series—two paintings of which are on display in the Luce Foundation Center—is an important part of experiencing the work. The paintings' meticulous realism only tells half the story.