American Art Here
July 28, 2015
The ghosts, the commuters, the visitors, the stories...they all pass across the screen in Jim Campbell's Grand Central Station #2, a poetic meditation on movement and memory. On view in the exhibition, Watch This: Revelations in Media Art, Campbell's LED-based work features shadows that move across the floor of New York's Grand Central Station.
July 22, 2015
Karen Lemmey, SAAM's sculpture curator, has organized an installation entitled Measured Perfection: Hiram Powers' Greek Slave. Powers' Greek Slave was one of the most popular sculptures of the 19th century. As part of her preparation, Karen worked with Smithsonian X 3D, part of the Institution's Digitization program, to create a 3D model of the this sculpture. Karen continues to explain the process. You may also read her first post on creating a 3D model of the sculpture, as well as a piece about conserving the Greek Slave.
July 16, 2015
Russell Connor was an abstract painter, happily minding his own business, when in Boston in 1969, he met media visionary, Nam June Paik. As Connor told us the other night at a program in honor of Paik's birthday.
July 5, 2015
Mingering Mike's Supersonic Hits feature a vibrant array of images and colors. Catherine (Kate) Maynor, paper conservator, is responsible for preserving the vitality of Mike's artwork for future audiences. Kate will be presenting a gallery talk on Tuesday, July 7 at 5:30 p.m. about the array of treatments that she performed to keep the artist's works fresh.
July 2, 2015
In Case 53B of the Luce Foundation Center sit four plates that first attracted my attention when I was a graduate student a few years ago. I was drawn to these by the figure of a boy, who looked very much like a famous painting, yet strangely manipulated. I also thought it odd that these plates were in the craft section, yet these white porcelain discs looked nothing like the plates I had been taught were craft while earning a degree in pottery.